
I don’t believe in fantasy collections these days, but there are more and more of them. We have already written about «Palimpsest» Charles Stross and now we’ve come to a collection by the Ukrainian author Oleh Karachevsky called «Symphony of the Road». Is it better than «Palimpsest»? Definitely not, but it would be strange and very cool if the stories of a young Ukrainian author were more powerful than the works of a famous contemporary British science fiction writer. The miracle didn’t happen, and no one expected it, but I liked the collection «Symphony of the Road». However, it definitely has problems that are worth talking about. I will also talk about the positive aspects and general impressions.
«Symphony of the road»
Author Oleg Karachevsky
Publisher HERE
Language Ukrainian
Number of pages 432
Cover Solid
Year of publication 2024
Size 135×205 mm
Website knygarnya.com
«Symphony of the Road» by Oleh Karachevsky consists of ten short stories. All of them are different in length, mood, and idea, but all of them are united by the genre of bicycle punk invented by the author. As Mr. Karachevsky himself says in the introduction to his book, the idea of creating such a universe and genre came to him during one of his bike rides through the forest. And why add existing genres such as dieselpunk or steampunk to your book if you can invent your own? Here I agree, the idea, though a bit strange, definitely deserves to live.
I’m not going to tell you about the plot of the stories, although they are mostly quite long. I just don’t see any point in it because the story of one story won’t tell you anything about the next one, and so on. But I will say that they are all different: there are parables, cautionary tales, action movies, detective thrillers, as well as westerns, cyberpunk, and classic post-apocalypse. In each work, the author flirts with different subgenres, but the new genre of bicycle punk always comes first.


The stories are not banal, and the fictional world is elaborate, but often illogical. The stories take place two thousand years later on the territory of the former Ukraine. During this time, humanity has survived the end of the world, and not just one, oil, gas, and other fossil fuels have run out, so everyone is traveling by bicycles and their modifications. Not only do we use our two-wheeled friends to get around, but we also fight and live on them. They are an important part of the life of this world, and this is why the author’s love for this mode of transportation is evident.
The old life is hardly ever mentioned because it is associated with something bad, with the era of Consumerism, when the world was brought to the end. This is the local name for the apocalypse, and in general, words related to engines, cars, and the like are considered bad, i.e. swear words. For example, they swear here with the phrase «Crankshaft in my gimbal!» and other similar ones, and they do it with taste.


Electricity is known and used, but it is produced by pedaling. And this is one of the main illogical moments, in my opinion. Because even though many people do this, you still can’t collect much energy from such a source. In this world, they even manage to power not only individual systems, computers, but even apartments, factories, and entire cities in this way. Of course, there are limitations, but you still can’t believe it.
It’s also strange that people seem to have forgotten many technologies from the past, but there are still stories about a whole order of hackers. I mean, everyone has forgotten how to extract energy from wind turbines and solar panels, but not how to program them? It’s very strange. Although, to be fair, the author mentions such sources, it is still presented illogically and untruthfully.
«The Symphony of the Road» is full of allusions, references, and jokes to contemporary Ukrainian realities, characters, etc. The author is very good at making people laugh, inserting a joke where necessary, playing up a certain event, or hinting. And it’s cool, it’s fun, and it’s just cool. But there is a downside to this.
All of these moments, and there are many of them in the book, knocked me out of the fictional universe of cycling punk time and time again. I mean, everything is fine, I’m reading the story, immersed in it, not even paying attention to the aforementioned illogic with energy production, and then I come across an allusion to Vitali Klitschko, for example, or some other contemporary characters. And this instantly throws me out of this post-apocalyptic world into the modern realities from which I was just trying to escape to another world.
In my opinion, if the author had removed most of these moments and left only the best ones, the book would have benefited from this, and the immersion in the definitely interesting world of bike punk would have been better.
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